top of page

Legally Blonde Automation

For Legally Blonde, I led the automation team in designing and installing two dog track systems that moved the show’s canine performers smoothly across the stage. The downstage system operated on an aircraft cable connected to a motor, while the upstage system utilized a chain-driven setup. Each system functioned at different elevation levels, allowing for complex cues and seamless transitions between scenic zones. 

To ensure reliable performance, we created custom track packs for the dogs, carefully designed and fabricated to eliminate any risk of obstruction. We conducted multiple test runs to fine-tune cable tension, motor speed, and alignment before integrating the systems into rehearsals. 

Despite our thorough preparation, we encountered technical challenges, notably an intermittent overheating issue that was ultimately traced back to a partially connected plug. This experience required me to troubleshoot under pressure and reinforced the importance of conducting system checks and incorporating redundancy in automation.

Throughout this process, I gained hands-on experience in mechanical problem-solving, encoder calibration, and motor wiring. I also developed a deeper understanding of how technical precision and effective communication between departments are essential for keeping complex stage systems running safely and efficiently.

Dog Track Creation 

​This is one of the track packs used for the dogs and its drafting. All parts had to be precision-made and installed to prevent the dogs from stopping due to obstructions.

Dogs in the Track 

We installed two separate dog track automation systems. One system was positioned downstage and operated on aircraft cable driven by a motor, while the other was chain-driven. Each system functioned at different elevation levels, enabling coordinated movement and smooth transitions between scenic elements during the show.

Automation Troubleshooting Guide 

During production, we encountered several challenges with our automation system. To make troubleshooting easier, I developed a cheat sheet that outlines solutions for the most common problems. This allowed the crew to quickly identify and resolve issues without needing the full team to address every failure. As a result, we improved efficiency, reduced downtime, and ensured that the system operated smoothly during performances.

Spike Mark Programing Photos

Motors Moving in Spike Mark

The Team

Director: Jay Berkow
Music Director: Matt Shabala
Choreographer: Mikey Winslow
Scenic Designer: Dave Nofsinger
Costume Designer: Eni Buckhanan
Lighting Designer: Dakota Fontes
Sound Designer: Karri E. Grillo
Stage Manager: Harriet Carr
Technical Director: Dani Hosler
Props Master: Evelyn Kubizna
Costume Shop Manager: Julia Kosanovich
Hair Designer: Garrylee McCormick
Master Electrician: Collin Wagner
bottom of page